Author: Artion
For centuries, the social and political concept of gender has been a subject of intense debate, shaping movements and rights across the globe. Based on this pertinent issue, choreographers Chris Leuenberger and Marcel Schwald from Switzerland have embarked on an artistic journey that delves into the concepts of femininity, hyper-femininity and effeminacy through their documentary dance performances.Their latest piece, EF_FEMININITY – Trio Version, supported by the Swiss Arts Council Pro Helvetia,will be showcased across India in Bengaluru, New Delhi, Chennai and Kolkata. In India, where gender identities beyond the binary have a far-reaching history, they got in touch with Shilok…
Visitors at the India Art Fair (Source: India Art Fair)The India Art Fair (IAF) has brought together 120 exhibitors in a showcase that spans centuries of Indian art while embracing contemporary global voices and catering to a diverse range of interests. Walk into the India Art Fair and you’ll find yourself face-to-face with giants. This year’s fair opens with an architectural statement –– a facade designed by Ayesha Singh based on her ongoing research on women’s contribution to Indian architecture, setting the tone for the event. Dance of the modern masters From M F Husain to S H Raza, A…
Divya Goswami performing at The Music Academy’s dance festival | Photo Credit: K. Pichumani.Kathak dancer Divya Goswami’s themed show ‘Aqeedat’ (meaning faith) was a tribute to love through the 18th century Punjabi poet Fazal Shah’s kissas. It was a poetic coming together of beautiful music by Praveen D. Rao and poignant Kathak. Divya combined the precision of Kathak beats, its grace and lyrical fluidity in the retelling of the age-old romance between Sohni and Mahiwal (the popular Punjabi love story).The curtain opened to Divya seated on stage, “Love..love..love.. What is love? Some say love is a river that drowns the…
Rama Vaidyanathan commenced the evening with Swaroopa, an evocative presentation based on select verses from Tirumular’s Tirumandiram. These verses celebrate the omnipresence of the divine, urging one to seek and experience Him in even the most subtle forms of creation. The divine was depicted as eternal—neither born nor destroyed, but ever-present and unchanging. It was up to each individual to recognise His swaroopa in all of creation. The musical composition by S. Vasudevan beautifully complemented the complex yet seamless choreography of Rama’s signature metaphors and fluid style.The second piece was a varnam in Ananda Bhairavi raga, Swamine Rammanave, a composition…
Untitled (The Effect of the Moon)’ by Devyani KrishnaCubism, pioneered by greats like Pablo Picasso and Georges Braque in the early 20th century, challenged conventional perspectives through its exploration of abstraction and multiple perspectives. Initially, Cubist art was rejected by many for its confusing methodology. Eventually, it influenced the trajectory of artistic expression across the world, including India—evolving into a new visual language to represent reality. A new exhibition at DAG Delhi, Deconstructed Realms: India’s Tryst with Cubism, offers a window into this brief encounter between India and Cubism.Source: India Today
Majestic Retelling of ‘Thadathagai’ – The Eternal Queen of MaduraiA jati accompanied with gaits of elephants marched on stage to begin the production ‘Thadathagai’ – The Eternal queen of Madurai. The extensive use of vachika abhinaya between scenes was particularly effective in conveying elements of the story that could not be depicted visually, providing valuable insights into the ancient Kadambavanam.The story traced Thadathagai’s origins as the daughter of Queen Kanchanamalai and Pandya Raja Malayadwajan. The opening scene, where a young Thadathagai emerged from the yagna kunda, was visually striking depiction. Born with three breasts and foretold to lose one upon…
The Nita Mukesh Ambani Cultural Centre is delighted to introduce the NMACC Arts Cafe, a dynamic dining destination where favourite classics meet culture and creativity. In line with Founder & Chairperson Mrs. Nita Ambani’s vision of bringing the best of India and the world, the café offers a rich array of flavours drawing from global influences and childhood memories, bridging the gap between nostalgia and contemporary charm. The perfect retreat between visits to the Art House and the theatres, the café makes space for shared culinary journeys where food, culture and conversations come together.Nestled next to the Art House on…
Bhubaneswar: Art lovers and enthusiasts in Bhubaneswar got a unique opportunity to witness some of the rare and prized artworks by India’s most celebrated artists at the ongoing Utkalika – an exhibition showcasing modern art.Organised by the National Gallery of Modern Art (NGMA) in collaboration with Lalit Kala Akademi here, the exhibition features masterpieces from the early 19th century to contemporary times, offering a glimpse into India’s rich artistic heritage and providing visitors an opportunity to explore the evolution of modern Indian art. The exhibition started on Jan 6 and will continue till Feb 25.The exhibition featured iconic works by…
The court ruled that the order, issued by the Additional Commissioner of Income Tax (OSD), was invalid as it lacked proper authorisation from the CBDT. In Short Bombay High Court quashes income tax order against ND’s Art World Order lacked CBDT authorisation, court rules Court directs CBDT to reconsider within three months The Bombay High Court on Friday quashed an Income Tax order against ND’s Art World Private Limited, the company of late art director Nitin Desai.Directing the Central Board of Direct Taxes (CBDT) to reconsider the case, the court ruled that the order, issued by the Additional Commissioner of…
Manasa Sriram. | Photo Credit: S.R. RaghunathanManasa Sriram, a disciple of Mahalakshmi Ashwin, began her recital at the Pongal Dance Festival 2025 with the invocatory hymn from the Thirumanthiram, ‘Ainthu karathanai’, in praise of Ganesha. She then moved to a Ganesha Alarippu set to Tisra Nadai Adi tala, showcasing the essence of Bharatanatyam’s rhythmic foundation. Her movements were crisp and sharp. Following this, she performed a jathiswaram in raga Rasikapriya and Adi tala, a composition by Lalgudi Jayaraman.For the varnam, Manasa chose ‘Swamiyai azhaithu vadi’ by the Thanjavur Quartet in raga Khamas. In the pallavi, the nayika takes along her…