{"id":6682,"date":"2025-02-21T12:35:22","date_gmt":"2025-02-21T12:35:22","guid":{"rendered":"https:\/\/artion.in\/magazine\/?p=6682"},"modified":"2025-02-26T10:28:57","modified_gmt":"2025-02-26T10:28:57","slug":"jyotsna-vaidee-interprets-a-traditional-song-for-a-contemporary-audience","status":"publish","type":"post","link":"https:\/\/artion.in\/news\/jyotsna-vaidee-interprets-a-traditional-song-for-a-contemporary-audience\/","title":{"rendered":"Jyotsna Vaidee interprets a traditional song for a contemporary audience"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"6682\" class=\"elementor elementor-6682\">\n\t\t\t\t\t\t<section class=\"has-el-gap el-gap-default elementor-section elementor-top-section elementor-element elementor-element-ce8b029 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"ce8b029\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-no\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-6027d18\" data-id=\"6027d18\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-ebc90bc elementor-widget elementor-widget-text-editor\" data-id=\"ebc90bc\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\tJyotsna Vaidee chose a rare Tevaram to depict Shiva\u2019s form | Photo Credit: Special Arrangement\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-c542aa6 elementor-widget elementor-widget-text-editor\" data-id=\"c542aa6\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\tBeginning with a pushpanjali, Jyotsna Vaidee moved on to Subbaraya Sastri\u2019s \u2018Janani Ninnuvina\u2019 for her performance at Krishna Gana Sabha. This composition extolling the goddess as a creator, was interpreted by the dancer by bringing into it her experiences as a mother.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-de8e6eb elementor-widget elementor-widget-text-editor\" data-id=\"de8e6eb\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\tA rare Thevaram was used to depict Shiva\u2019s form and his attributes, before Jyotsna moved to the varnam in Sankarabharanam, a composition by Papanasam Sivan in praise of Kapaleeswarar. The dancer shifted effortlessly from depicting admiration for Shiva in the line \u2018Kapaleeswara darisanam\u2019, to the state of a lovelorn nayika. The entire sequence of Adikara Nandi procession, with detailing of the nagaswaram and thavil accompaniments, the heroine falling in love with the lord and her tormented state due to his indifference, and the final jathi, where she incorporated peacock movements, were some of the significant moments.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-bfc356e elementor-widget elementor-widget-text-editor\" data-id=\"bfc356e\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Source: <a href=\"https:\/\/www.thehindu.com\/entertainment\/dance\/jyotsna-vaidee-interprets-a-traditional-song-for-a-contemporary-audience\/article69191758.ece\" target=\"_blank\" rel=\"noopener\">THE HINDU<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Jyotsna Vaidee chose a rare Tevaram to depict Shiva\u2019s form | Photo Credit: Special ArrangementBeginning with a pushpanjali, Jyotsna Vaidee moved on to Subbaraya Sastri\u2019s \u2018Janani Ninnuvina\u2019 for her performance at Krishna Gana Sabha. This composition extolling the goddess as a creator, was interpreted by the dancer by bringing into it her experiences as a<\/p>\n","protected":false},"author":1,"featured_media":6685,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,214],"tags":[],"class_list":{"0":"post-6682","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-dance","8":"category-kathak"},"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/artion.in\/news\/wp-json\/wp\/v2\/posts\/6682","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artion.in\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artion.in\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artion.in\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artion.in\/news\/wp-json\/wp\/v2\/comments?post=6682"}],"version-history":[{"count":4,"href":"https:\/\/artion.in\/news\/wp-json\/wp\/v2\/posts\/6682\/revisions"}],"predecessor-version":[{"id":6690,"href":"https:\/\/artion.in\/news\/wp-json\/wp\/v2\/posts\/6682\/revisions\/6690"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artion.in\/news\/wp-json\/wp\/v2\/media\/6685"}],"wp:attachment":[{"href":"https:\/\/artion.in\/news\/wp-json\/wp\/v2\/media?parent=6682"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artion.in\/news\/wp-json\/wp\/v2\/categories?post=6682"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artion.in\/news\/wp-json\/wp\/v2\/tags?post=6682"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}